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At the end of the Agnus Dei, however, the upper interval of this cell is extended by one tone (C-B-G-F alternating between the treble and tenor parts with the alto imitating down a fourth.
While there can be little doubt that the scoring of early Tudor polyphony falls into the five basic vocal timbres of treble, alto, tenor, baritone (or second tenor) and bass (as opposed to the long-discredited 'high-pitch' scoring of high treble, low treble, alto, tenor and.